Spectrum Art Gallery Print Auction Exhibition 2024

Spectrum Art Gallery Print Auction Exhibition

October 3 to 25, 2024

Art Hop Reception: October 3rd • 5 – 8 PM

Location: Spectrum Art Gallery, 608 E. Olive Ave, Fresno CA 93728 

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Live Print Auction Event: October 26, 2024 • 1PM to 4PM 

Location: Dulce Upfront, 2026 N. Van Ness Blvd, Fresno CA 93704

We are excited to present this year’s Photographic Auction and Exhibition. As in the past, we will showcase many wonderful works by Spectrum members, along with contributions from local and national photographers. Additionally, we are privileged to offer two photographs from Edward Weston’s portfolio.

The Annual Print Auction exhibition opens on Art Hop at Spectrum Art Gallery on Thursday, October 3rd, and continues through October 25th.

On Saturday, October 26th, all photographs will be relocated to the venue Dulce Upfront for the Live Print Auction. This spacious venue will provide a lively atmosphere for the auction and will include a silent auction, food, and refreshments.

Join us for an exciting afternoon of art and bidding! 

Don’t miss this opportunity to enrich your art collection and support a meaningful cause! Mark your calendars for Saturday, October 26, from 1-4 pm at the newly remodeled Dulce Upfront, located in the Fresno High area at 2026 N. Van Ness Blvd., Fresno CA. Prepare for an exciting event of art, food, fun, and impactful giving!

 

We would like to thank our generous friends and colleagues for donating their beautiful photography, monetary donations, your time and efforts to our fundraiser.

A big thank you to the local businesses who have donated items for the silent auction and drawings.

 

Menagerie of Light by Victoria Flores, Meg Kosloff, Josh Moulton

MENAGERIE OF LIGHT

September 5 to 29, 2024

Art Hop Reception: September 5th • 5 – 8 PM 

Friday Photography Live Presentation: Artist Discussion September 27th, 2024 • 7 PM

The phrase, Menagerie of Light, evokes the idea of a diverse and vibrant collection of light sources or visual effects, similar to how a menagerie is a collection of various animals. It suggests a scene that is rich, varied, and possibly magical or enchanting in its visual impact. In the context of photography, a menagerie of light refers to the diverse and intricate ways light is captured and manipulated in an image.

Victoria’s inspiration for her images comes from chasing light and discovering interesting organic shapes. She truly enjoys exploring and capturing moments of natural beauty. While photographing botanicals might seem mundane to some, she finds it exciting. By using multiple exposures on her digital camera, she creates intriguing new shapes from the plants and flowers in the environment. These new blooms evoke an ethereal feeling that many people can relate to when strolling through nature. Photography serves as an escape from the stresses of everyday life and a way to strengthen her artistic muscles. Her goal is to capture the essence of nature in a fresh way while presenting it differently from the norm.

Victoria Flores is the Spectrum Art Gallery manager and webmaster. She is an accomplished artist, adjunct professor at Fresno City College and a CSUSacramento Alumni. She has seamlessly integrated formal education, technical expertise, and community service throughout her diverse career in visual arts.

For this exhibition, Meg chose black and white photographs to showcase her distinctive approach to capturing “light.” Light is what allows us to see the world around us, and without it, there would be no such thing as photography. Meg delights in capturing the spectacular, gritty, “normal,” courageous, and bizarre aspects of the world we live in. She tends to be spontaneous when she shoots, seizing compelling moments and trying to capture the light before it fades away. Whether it’s spotlights in a dark music venue, soft diffuse light dispersing into seemingly quiet spaces during a rainstorm, or a silhouetted dancer in the sky, the starkness and softness of black and white make these two commanding shades capable of signifying everything and nothing at once. Meg is excited to share this space with two fellow photographers who also capture the world in their own distinct ways.

Meg Kosloff’s portfolio showcases a diverse range of subjects, including street scenes, bands/musicians, food, and landscapes, making her aptly described as a lifestyle photographer. Beyond her creative pursuits, Meg is also an accomplished ICU nurse with a wealth of experience in listening to people’s stories. She loves embarking on adventures and spending time with her husband and their two adorable kitties.

Joshua Moulton is an award-winning landscape photographer who seeks out large, imaginative scenes that skew towards the fantastical. With a backpack chock full of camera gear—Joshua is ready for any condition as he will often be found ankle-deep in rivers, traversing questionable heights, and craning his neck upwards with digital Fuji in hand to capture a fleeting moment. 

Menagerie of Light is a collection of images captured in 2024 with a focus on the American deserts with overlapping, yet discernible points of view. Each scene is transformed by unique light compelling the artist to capture its moment, to engage the shutter, to freeze time. 

Joshua is a CSU Fresno alumni with a BA in Geography. When not traveling, this Central California native stays close to home in Clovis with his favorite companion – his beautiful wife Jessica, their two cats and his Onewheels.

Art Hop Reception: September 5, 2024 • 5-8PM

Friday Photography Live: Artist discussion  September 27, 2024 • 7PM

Michael Karibian A Retrospective

Michael Karibian A Retrospective

July 5 to September 1, 2024

Art Hop Reception: July, 11 & August, 1 • 5 – 8 PM 

Reception: July 13, 2024 • 1 – 4 PM 

Friday Photography Live Presentation: Techniques of Traditional Darkroom Masters July 19, 2024 • 7 PM

Join us in a celebration of the work of distinguished artist, Michael Karibian, who contributed greatly to the fabric of our local arts community. Beloved and past member of Spectrum Art Gallery, Karibian was featured in exhibitions not only at Spectrum Art Gallery, but also the Fresno Art Museum, and Fig Tree Gallery. Although he has passed on, his amazing work continues to inspire with this retrospective exhibition featuring some of the highlights of his versatile career.

During his tour in Vietnam in 1969 he served as photographer for “Stars and Stripes.” With extensive Airforce training, he tackled everything from photographing generals shaking hands, troop movements in the field, to Agent Orange deployment and its results. While in Saigon, his camera turned to life in the streets and the souls he encountered. He came away with a mindset even more devoted to peace and tolerance. Coming from a heritage of those who escaped genocide, he listened, empathized, and later recorded Armenian elders’ stories accounting the horrors leading to the diaspora that enabled his generation precious opportunities to thrive in peace.

After military service with both a BA and MFA, he pursued a long and successful career as a professional photographer. To name a few, his clients ranged from California State University, Fresno, UC Merced, the Fresno Art Museum, major regional hospitals, The Big Fresno Fair, California Agricultural Industry, the Honor Flight for Veterans traveling to Washington D.C., to portraits of dignitaries, musicians, artists and their works.

As an avocation, he took great joy in listening and creating music with guitar and mandolin. Words and music were often integrated with his visuals in such ways that streams of consciousness could flow. Sketches, freeform poetry, memoirs, and Illustrated notebooks were developed as well as some very limited editions of custom-made books.

The visitors to this exhibition will have the opportunity to experience a cross-section of Michael Karibian’s unique life in photography through this collection of his finely crafted original artworks.


Join Steve Dzerigian’s Friday Photography Live on July 19th at 7PM for Techniques of Traditional Darkroom Masters.

This Is My World Juried Student Exhibition 2024

This Is My World: Juried Student Exhibition 2024

June 6 to 30, 2024

Art Hop Reception: June 6, 2024 • 5 – 8 PM 

Friday Photography Live Presentation: June 21, 2024 • 7 PM

Closing Reception: June 30, 2024 • 1 – 5 PM 

Photography encourages self-expression and creativity and can build confidence as well as a sense of individual identity. It can also help to develop critical thinking and the ability to interpret the world around us. Images for the student exhibition should be personal, meaningful, and indicative of identity. The process of photographic image making — from choosing subject matter to discovering new ways of manipulating light — requires “focus.” This very process of observing and creating, is, by nature, a meditative task that draws you into a mindful, peaceful state. In this sense, students can use their photography practice as a tool to curate and reframe the world around them.


It is with immense pride and joy that we extend a heartfelt congratulations to each and every one of these students on the success of this photo exhibition. Their creativity, passion, and dedication have culminated in a remarkable showcase of talent that not only captures the beauty of the world around us but also tells compelling stories through the lens of their cameras.

This exhibition is more than just a display of photographs; it is a testament of their hard work, artistic vision, and the courage to express themselves in unique and powerful ways. Each image reflects their individual perspectives and the collective spirit of their groups, highlighting the diversity and richness of our Central Valley community.


As you all continue to pursue your artistic endeavors, remember that you are not only creating art but also carrying on the important legacy of the photographic arts. Art has the power to inspire, to challenge, to provoke thought, and to evoke emotions. It bridges gaps between cultures, speaks truths that words cannot, and leaves an indelible mark on society.

By embracing your roles as artists, you are contributing to a tradition that spans centuries and transcends boundaries. You are the torchbearers of creativity and innovation, and your work will undoubtedly inspire future generations to see the world through fresh eyes and with open hearts.

Thank you for sharing your talents with us and for reminding us of the beauty and power of artistic expression. Congratulations on this outstanding achievement, and may this be the first of many successes in your artistic journeys.

Jurors:

Sandee Scott

Sandee expresses her passion for creativity through pastel painting, alcohol ink, cold wax and oil, mixed media projects, and photography. Her artwork has received recognition and won awards in local exhibits and she has been a participating artist in Sierra Art Trails since 2014. Additionally, she has felt honored to have her mixed media pieces accepted in recent Yosemite Renaissance exhibits. Her work can be seen intermittently at various venues sponsored by Yosemite Sierra Artists.

Dean Taylor

Over the last forty-five years his passion for photography has led him on
numerous photographic adventures. The majority of his photographic knowledge has come from participating in numerous workshops and seminars, and attending local camera club meetings, listening to and learning from guest judge’s critiques of his own and other’s images. He feels that whatever insight and photographic artistry he has accrued is a direct result of those sharing experiences. His experience as a photography judge includes judging for numerous camera clubs, camera club councils, county fairs, local photography shows, fine-arts organization’s gallery shows, and various Photographic Society of America sponsored international salons.

Steve Dzerigian

Weaving history, philosophy, and the natural world with artmaking, Steve Dzerigian adopted photography as his primary investigative and contemplative tool. The activities of photography and teaching it became his life’s work. He instructed field workshops for the University of California, Santa Cruz Extension from 1977 through 2007. For the Ansel Adams Gallery Photography Workshop in Yosemite, from 1984 to 1990, he was an assistant instructor and served as director one of those years. In 2002, he was co-coordinator for the “Ansel Adams Centennial Symposium in Yosemite, Edges and Intersections: The Evolution of Change”. Devoted to facilitating art and education in Central California for more than forty-five years, he has served as curator, juror, and consultant for many exhibitions, competitions, and media events, in addition to teaching photography full-time at Fresno City College. 

50 Years of Photography: A Retrospective by Tim A. Fleming

50+ Years of Photography: A Retrospective by Tim A. Fleming

May 2 to June 2, 2024

Art Hop Reception: May 2, 2024 • 4 – 8 PM 

Friday Photography Live Presentation and Q&A: May 10, 2024 • 7 PM

Artist Statement:

The Exhibition. Photographs 1966 to 2024. 

It is a collection of my images, from my teen age years to present time.

My earliest work.
I’ll show some of my earliest work, How I saw things (at ages 12 to 15), not my best work, of course, but just to compare. I started printing my own images at age 14 when I bought a Darkroom from a neighbor (only $10 down and $5 a month). Printing my own work gave me quick feedback that helped me to learn faster as I took roll after roll of film around Fresno, my neighborhood and at school.

High School and College
In high school, the photography teacher was an ART teacher who was “assigned” to teach photography. This was a good thing (for me) because I already knew the basics and he was exceptional at teaching artistic composition. While attending Fresno City college, the photography teacher was really a MATH professor and instead of retiring he stayed on to set up and grow the photography department. He taught photography by skillfully describing processes and techniques using mathematics and formulas. This was perfect timing for me as I was taking math and chemistry classes at the time. It made everything seem more interesting because I could see how the math could describe photographic processes, camera use and exposure.

The many Activities going on around me provided my subjects. My sister was
competing in gymnastics, so I made photographs of her team, this led to work from other teams. My mom showed my gymnastics photography to the Fresno Ballet group, I was hired to photograph the Ballerinas at their performances. I also worked several part time photography jobs during college to pay my bills (and buy more camera stuff). I exhibited my work at two different galleries there in Santa Cruz. 

Santa Cruz and Shaver Lake
I moved to Santa Cruz and got a Job at Bay Photo Lab in 1977. My boss let me use the lab after hours, to print my own work. I met many amazing photographers at the Lab. After moving to Shaver Lake, where I got my own darkroom up and running again, I made great strides in teaching myself the Ansel Adams Zone system using his series of books.

Back to Fresno
In 1978 to 1981, I traveled to cities in the Western states to sell my landscape photos at art shows and crafts fairs. My brother and I flew and sold Hang gliders during this time period, and we traveled to many hang glider mountain flying sites to meet new customers. This gave me more precious time to be in the mountains and capture wonderful landscape images as well as people flying.

My Brick and Morter Location.
1981 to 2001, I operated a professional Lab called Flash Foto. It had two locations. The tower district and a north Fresno store. We did black and white film and Color film developing, and printing. This gave me the opportunity to meet many great photographers from all over the country as they traveled through Fresno to California and the national parks. The company grew to over 100 commercial clients. I spent my vacations and long weekends out in nature, photographing whenever I could.

Working from Home
2002 to the present, I have enjoyed working as a professional photographer in my home studio building. I have also worked on my own “Artistic” and landscape photography. I traveled to several western states and in California making the images I will present here.
Thank You for reading,
Tim A. Fleming

On May 10, 7 pm, I will give a talk and Q&A about my life in photography at Spectrum Art Gallery. Using these Techniques, Processes and Styles I will present my work in these categories:
Landscapes and Still Life prints, Infra-Red Photography, Intentional Camera movement (ICM), Rorschach Inkblot Test or Mirror image-I call it “Flip n Fold”.
Painted photographs, a technique that uses Photoshop to paint over an image.
Portraits, in Color and Black and White – Painted – ICM – Performers – Sports.
Composite Images, combining 2 or more images into one piece.

Spectrum Art Gallery’s New Hours of Operation:

Thursdays and Fridays: 4:00 PM to 8:00 PM
Saturdays and Sundays: 1:00 PM to 5:00 PM

Faraway Places by Karen Tillison

Faraway Places by Karen Tillison

April 4 to 28, 2024
Art Hop Reception: April 4, 2024 • 5- 8 PM


Karen Tillison, a landscape and travel photographer, presents an exhibit at Spectrum Gallery that highlights her work in Faraway Places. This exhibit will represent some of her work from around the world. Photographs from such faraway places as Antarctica, Australia, India, Morocco, Cambodia, Vietnam, Brazil, Argentina, France, and Italy will be exhibited. This is just a small sampling of her photographs from various places around the world.

Karen has been photographing nature, people, and almost anything that caught her eye for most of her life. Even as a child growing up in the Midwest, she remembers always having a camera in her hand. When she moved to the mountains in California the opportunities to photograph were endless. She was shooting mostly nature and landscapes in and around the Sierra Nevada mountains until she started traveling overseas. Her first international trips were in 2001 to Africa, on a safari, and then to Egypt where she developed a whole new area of photography. She has visited all seven continents in her travels, going to some many times. Her landscape photography took a backseat at this time and she turned to photographing people and their cultures. She has met many interesting people that she has interacted with as she traveled around the world. She makes these people and their way of life come alive in her photographs. Just looking at the children on the streets of Morocco or the old man in the boat in Vietnam you can imagine being there.

In 2022, she was awarded the cover of Shadow and Light Magazine along with the featured artist’s portfolio for the Language of the Land Special Issue.
She has ongoing exhibitions in California at Spectrum Gallery, Fresno, Circle Gallery, Madera, Stevensen’s Gallery, Fresno, United Security Bank, Oakhurst, Sierra Art Trails, Oakhurst, and Yosemite Sierra Artists competitions and exhibits.

Spectrum Art Gallery’s New Hours of Operation:

Thursdays and Fridays: 4:00 PM to 8:00 PM
Saturdays and Sundays: 1:00 PM to 5:00 PM

New Works Members Exhibition

New Works Members Exhibition

FEBRUARY 1 to MARCH 31, 2024
Art Hop Receptions & Meet the Artists
FEBRUARY 1 & MARCH 7, 2024 • 4PM to 8PM

Spectrum was the name chosen 43 years ago by our founders to represent an inclusive and broad range of approaches, content, and form. We have strived to live up to this community-oriented mission through teamwork and honoring
photographic arts.

Once a year our members assemble a group display of works that occupies our whole exhibition space. For this show, each member has chosen their last produced favorites to give the viewer a glimpse of the kinds of projects that represent their latest passions or ideas.

Spectrum Art Gallery’s New Hours of Operation:

Thursdays and Fridays: 4:00 PM to 8:00 PM
Saturdays and Sundays: 1:00 PM to 5:00 PM

Queerness: Past and Present by Gailan Sabin Gray

 

Queerness: Past and Present by Gailan Sabin Gray

Exhibit: January 4 to January 28, 2024
Art Hop Reception: January 4, 2024 • 4PM to 8PM 
Workshop: Polaroid Manipulation January 6, 2024 • 11AM
 

Over the past couple of years, I have been creating images around the idea of Queer Modernity. Upon making my images I discovered more about queer history, more specifically queer art history. For some people, the idea of queerness is a modern or new age way of thinking, but, our identities have been around for centuries, going all the way back to 334 B.C. when Hephaestion, long believed to be Alexander the Great’s boyfriend had sent letters to Alexander’s mother telling her to stop quarreling with him. As the love he had for her son was insurmountable. We have tons of documentation that support the notion that queerness is not a new age concept. Rather, we have always been here, just hiding in plain sight. It is only now, in the present day, that we see a rampant exposure of new queer identities emerging because we feel more comfortable expressing ourselves openly.

For Queerness: Past and Present I focused on the polaroid process. The polaroid process results in a one-of-a-kind image that can never truly be replicated. A visual interpretation of the queer experience. Each individual has a one-of-a-kind experience coming to terms with who they are and ultimately finding ways to celebrate themselves in their fullest capacity. I chose to photograph my subjects with a softer focus to take a more painterly approach to the image making process. Mostly in reference to the art historical context that I have been consumed by for a few years. Within this exhibition, I have made sure to highlight specific queer coding that has been present in art history for centuries: the use of florals, peacock feathers, and sequins, all play a special role in the queer coding that has been present for centuries. 

Within the context of the “Queer Timeline” we queer folk must go through an extra hurdle in our lives. The average human experience in this timeline is: being born, growing up, finishing high school, going to college, joining the workforce, getting married, buying a house, and starting a family. However, with queer people, we have an extra step in our “Queer Timeline;” somewhere in there, we must come to terms with ourselves, which tends to put us ‘off track’ by a couple of years in relation to our heterosexual counterparts. An idea that got me thinking about how to represent queerness and not just rely on the hypersexuality that you’ll see when doing a rough hashtag search on Instagram of #queerart. Queerness is not just made for specific people, it is meant to be celebrated by everyone who has found themselves as an outsider looking in.

Queerness: Past and Present is my love letter to queerness and how diversified this notion is. I would like to thank my participants who openly shared themselves with my practice and embraced their own identities within this notion. I would also like to pay special homage to the queer elders who have paved the way for us queer folk to be so open and willing to love one another so openly and emphatically. It is because of them that we can exist. We no longer have to hide our queerness in coded symbols. I would also like to thank my husband, Cody Bates, for embracing my artistic practice and for his constant support.

I will also be offering a Polaroid Manipulation workshop on January 6, 2024, at 11:00AM. I have a few polaroid cameras available and will offer my expertise in the following techniques: polaroid emulsion lifts, film manipulation, and compositional techniques with polaroid film. Spacing is limited to 8 persons and the cost is $50 per person (to cover the price of the film), please contact gailangray@gmail.com to RSVP for the workshop.

Candle with Gailan's images available to purchase during exhibition.

Spectrum Art Gallery’s New Hours of Operation:

Thursdays and Fridays: 4:00 PM to 8:00 PM
Saturdays and Sundays: 1:00 PM to 5:00 PM

Sanctuary by William Neill

 

Sanctuary by William Neill

Exhibit: December 7 to December 31, 2023
Art Hop Reception: December 7, 2023 – 4PM to 8PM 
Artist Presentation, Reception & Book Signing: 
December 16, 2023 – 1 to 5PM
 
Giant Sequoias, Mariposa Grove, Yosemite National Park, California 2007 by William Neill
We welcome our 2023 Distinguished Guest Artist, nationally renowned, William Neill  to Fresno with his exhibition, Sanctuary.
 
William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature. Neill’s award-winning photography has been widely published in books, magazines, calendars, and posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection. Neill received a BA degree in Environmental Conservation at the University of Colorado. In 1995, Neill received the Sierra Club’s Ansel Adams Award for conservation photography.

Neill’s assignment and published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemen’s Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra and Outside magazines. For 26 years, he wrote 150 essays for his column, On Landscape, in Outdoor Photographer magazine. Feature articles about his work have appeared in Life, Camera and Darkroom, Outdoor Photographer and Communication Arts, from whom he has also received five Awards of Excellence. 

His work was chosen to illustrate two special edition books published by The Nature Company, Rachel Carson’s The Sense of Wonder and John Fowles The Tree. His photographs were also published in a three-book series on the science of natural processes in collaboration with the Exploratorium Museum of San Francisco: By Nature’s Design (Exploratorium / Chronicle Books, 1993), The Color of Nature (Exploratorium/Chronicle Books, 1996) and Traces of Time (Chronicle Books/Exploratorium, Fall 2000). A portfolio of his Yosemite photographs has been published entitled Yosemite: The Promise of Wildness (Yosemite Association, 1994) for which he received The Director’s Award from the National Park Service. A monograph of his landscape photography entitled Landscapes of the Spirit (Bulfinch Press/Little, Brown, 1997) relates his beliefs in the healing power of nature. Neill’s book, William Neill–Photographer, A Retrospective (Triplekite Publishing, 2017) is a collection of his photographs taken over the past forty years. His most recent books are Light on the Landscape (Rocky Nook, 2020), a collection of essays and images from his On Landscape column for Outdoor Photographer magazine and The Photographer’s Portfolio Development Workshop. Yosemite: Sanctuary in Stone, a personal collection of photographs made over 46 years, will be published in Fall 2023.

Half Dome and Elm Tree, Winter, Yosemite National Park, California 1990 by William Neill

Spectrum Art Gallery’s New Hours of Operation:

Thursdays and Fridays: 4:00 PM to 8:00 PM
Saturdays and Sundays: 1:00 PM to 5:00 PM

In the Blink of an Eye by Michelle Ricci-Koch

 

In the Blink of an Eye: A Collection of Portraits & Florals by Michelle Ricci-Koch

Exhibit: November 2 to December 3, 2023
Art Hop Reception: November 2, 2023 – 5PM to 8PM
 
'Bride' by Michelle Ricci-Koch

I am a storyteller; my curiosity leads me to ask a lot of questions. My parents
mistakenly took it as sass but my lively imagination genuinely needed to connect the dots. I found that connection when I picked up the camera and immersed myself in an art community. An artistic journey spanning decades, my passion for photography ignited in the late 80’s with the discovery of the wet darkroom. Witnessing the evolution from film to digital, I’ve embraced the ever-changing landscape of technology while preserving the timeless essence of capturing moments.

My current exhibition showcases a delicate dance between the past and present. Through the lens of film, I capture the essence of florals, weaving in digital processes to enhance their innate beauty. My portraits embody the newer technology but are created with genuine human connection on a personal level.

Growth, life, erosion and age are all beautiful when viewed as a moment that will never be the same. Time never stops, we never get that minute back. An event, a portrait and the changing landscape can only be captured that second, whether it be seen with our eyes, or captured with a camera. As we age our mind may not be the keeper of memories anymore, but a photograph! A photograph lives on from generation to generation revealing history, memories and emotion.

Join me on this visual odyssey, where each photograph not only tells a story but
also invites you to join in the celebration of my life’s connections.

Making my home in Clovis, I share my life with a husband of 34 years, a daughter, three felines and a loyal canine companion. Beyond the lens, I am a passionate gardener, channeling my love for nature’s wonders into both my artistic and personal pursuits.
 
Michelle will be giving a Friday Photography Live talk on the importance of Portraits, on December 1st, at 7:00 pm at the Spectrum Art Gallery.
 
'The Gift' by Michelle Ricci-Koch

Spectrum Art Gallery’s New Hours of Operation:

Thursdays and Fridays: 4:00 PM to 8:00 PM
Saturdays and Sundays: 1:00 PM to 5:00 PM