Members’ Exhibition

February 2, 2022February 2, 2022 photoinfo

Spectrum Members’ Exhibition

February 3 – 27

ArtHop Artist Reception: Thursday, February 3, 4PM to 8PM

A Group Exhibition of Works
by Spectrum Art Gallery Members.

Spectrum Art Gallery is proud to present the 2022 Member’s Exhibition. We are excited to show new works from our membership, including members who have recently joined our collective. This show will be an open theme, so members are able to highlight their favorite works they would like to share. Our membership is an eclectic group comprised of photographic artists from many different walks of life. We’ve come together to express our joy of photography, and continue to do so well into our current era. Forty years ago, exhibitions of photography as an art form appeared very infrequently, especially in the San Joaquin Valley. It was at that time that a growing number of photographic artists congregated in Photo- Synthesis, a darkroom rental gallery establishment. In 1980, this group formed a not-for-profit cooperative and created a local forum for fine art photography.

Later that year, the group rented a space in Fresno’s Tower District, and referring to the broad variety of work produced by the charter members called itself “Spectrum Gallery.” The present is an exhilarating time in which we now have many traditional photographers, photographic artists, and creatives that push the boundaries of photography. This exhibition will show a collection of our members’ work. Come on down to the gallery for ArtHop and view original and refreshing photographic art by our fine members.

Gabler-Jackson

November 27, 2021November 27, 2021 photoinfo

**“Ice-elation and Lumine-scent“**
An Exhibit Featuring the Photography of
Franka Gabler and Caroline Jackson

December 2, 2021 – January 2, 2022

ArtHop Artist Reception: Thursday, December 4, 5PM to 8PM

“Ice-elation”
by Franka M. Gabler

Franka’s ‘Ice-elation’ project began with the 2020 pandemic and the resultant closure of National and State Parks, followed by a period of sheltering in place and self-isolation. The project helped her to overcome the initial creative block caused by the pandemic. One day, during lockdown, she froze an orchid stem and loved the effect – delicate textures of cracked ice encasing the flowers, revealing parts of them and concealing others. This inspired her to start exploring the forms and patterns of different flowers encased in ice. She photographed the ice blocks with flowers on the light box in her studio. Backlighting further revealed subtle textures of ice and flowers, their translucency and luminance, exposing their transient nature and fragility. The effect seemed similar to photographing landscapes in fog – her favorite photography subject: subtle, mysterious, unstable, and unpredictable.

And there it happened…her inspiration came back! The ‘Ice-elation’ project sparked her creativity and helped her to refocus her thoughts from the doom and gloom of the initial days of the pandemic to something beautiful and uplifting.

Biography:

Award-winning photographer and scientist, Franka M. Gabler, developed a fascination, admiration, and respect for nature early in her lifetime. Soon after moving to California in 1997, she experienced her first wilderness backpacking trip in the Sierra Nevada Mountains. Ever since that time, she has been photographing the magnificence of the high-country mountains and the California landscape. Her photographs are evocative – the light and atmosphere evident in her photographs often result in sentimental impact and ethereal feeling. She strives to capture the mood and the essence of the place she photographs.

Franka’s photographs have won many awards, including the most recent – a 1^st place award for the ‘Intimate and Abstract’ category of the Natural Landscape Photography Awards. Her photographs are published in several books and she has been featured in several photography magazines. Franka has been invited to speak at several photography conferences. Her work has been featured in numerous exhibits and is represented in private collections throughout the United States and abroad. She is affiliated with Stellar Gallery in Oakhurst, Spectrum Art Gallery in Fresno, Ridgeline Gallery in Mariposa, Viewpoint Photographic Art Center in Sacramento, and Circle Gallery in Madera, CA.

Franka lives in the Sierra foothills, in the small mountain town of Coarsegold, not far from Yosemite National Park.

You can learn more about her work at: www.frankagabler.com.

“Lumine-scent
by Caroline V. Jackson

Caroline V. Jackson bought her first camera 10 years ago, and has seldom set it aside. She never settled on a particular genre, and normally takes a mindfulness approach to creating images. Her photographs are not made with intention – such as documentary work – but on free flowing feeling. Always drawn to the range of human experience, and usually a “darker,” lonely or “edgy” mood, her images feature themes of alienation, separation and exclusion and can encompass street scenes, lonely desert landscape, crumbling structures – scenes that convey isolation and being cast aside. Being drawn to the outlier segments of society, her pictures are usually not “pretty.” The goal is always to have the viewer pause, feel, listen and question their relationship to a subject or an idea. The pandemic came, with an about face. Its isolation and travel bans foreclosed most photographic opportunities. But the stay at home orders, along with available time, and a refusal to put down her camera, led to a cloistered genre of photography created with intention and planning – lightbox floral photography. The light coming through her images gives a different take on a familiar subject. The light brings out the beauty of floral arrangement, a twist to her usual style. Through intention, Lumine-Scent conveys beauty, softness, organization, calmness, symmetry – qualities lost to the pandemic chaos. Each featured Lumine-Scent piece begins with a lightbox and fresh flowers selected for potential translucency. An arrangement is made atop the lightbox, with attention paid to symmetry or lack thereof, openness, movement. Each piece is then crafted by taking 4-8 shots of the floral arrangement at varying exposures. The 4-8 exposures are then hand blended in post with layer masks and brushes to bring forth delicate highlights and contrast. The final image is placed on a background or texture complementing the color palette of the individual arrangement. This technique makes the final image appear more as a painting than a photograph.

Biography:

Caroline V. Jackson is an attorney from the San Francisco Bay Area, now making Fresno her home. This structured approach to creating images – with intention and planning – syncs well with legal training. She is affiliated with Spectrum Gallery in Fresno. Her work has been shown at various exhibitions in the Central Valley.

Metonymies-Sojourn

November 1, 2021November 1, 2021 photoinfo

“Metonymies – Sojourn”
An Exhibit Featuring the Photography of
John Moses and Joshua Moulton

November 4 – November 28, 2021

ArtHop Reception: Thursday, November 4, from 4PM to 8PM

“Metonymies”
By
John Moses

Metonymy is the imaginative process that uses a part to represent the whole. Proximity, or contiguity, is basic to how it operates in figures of speech. But more than just a literary device in poetry, metonymy is part of everyday communication, a way of understanding and speaking about the world—for example, “hand” for helper, “Hollywood” for American movies, “Rothko” for the artist’s paintings.

But what does that have to do with photography, you may be wondering. Linguists and artists have long extended the concept to the visual arts—from painting to the cinema. Roman Jakobson contrasted the metaphors of surrealist art to the metonymies of Cubism. Sergei Eisenstein theorized about the metonymies inherent in distinct categories of cinematic montage, the relations of shot to shot.

Photographers constantly make judgments involving contiguity. Whether in the viewfinder or the darkroom, they reveal what is in the frame and what is beyond it. Sometimes the subject is complete and surrounded by empty space—a still life, a building, an object from nature. Just as often, the subject is only implied by the part shown, sometimes so abstracted as to be ambiguous even in its concreteness.

The images of “Metonymies” play with these possibilities. They imply what is not there as much as present what is. Some are abstract, minimalist images—a light shining on a reel of film; a detail from a 6-foot bronze; a hoist drum from a Cornwall mine. Others are more recognizable parts of some whole—a building façade, a tree within a forest, components of a steam engine. And others are of images connected to concepts like flag for country. Each illustrates how metonymy is as basic to visual language as it is to verbal.

Functionally, metaphors are the opposite of metonymy, based on imagined similarities rather than recognized proximity. Yet the two creative processes often operate together. A flag connects to country but also evokes ideas about honor or dishonor. The closeup of a sunflower’s center may epitomize the beauty of the flower but can also remind us of Van Gogh’s fields of yellow or a dreamlike scene from a Busby Berkeley musical. So, while I present the images in this exhibit as examples of metonymy, I invite you to imagine the metaphoric possibilities as well.

Sojourn
By
Joshua Moulton

Hiking through the Icelandic mountains on a deary, late afternoon and coming over the rise of the hilltop, I finally get my first glimpse at the Geldingadalir volcano and my heart skips a beat. As I draw nearer to the eruption I feel heat from the lava warming my face just like I’m sitting in front of a campfire even though the source is thousands of feet away. The sound of stones grinding upon each other as the hardened uppermost layer of molten rock flows past in a river of fire fills my skull. And then comes the eruption-a magnificent, glorious and violent explosion of lava directly from the heart of the volcano high into the sky as more pours down the side. This could be Mordor.

At my core I love fantasy. I love fantasy books, movies, games, and the wide-sweeping vistas that detail the epic quests and scenes that drive these stories. In essence that is what Sojourn is to me. Sojourn features photos from around the world that share that common sense of adventure and wonder. From the Martian landscapes of the Tron a Pinnacles to the abundant waterfalls of Iceland, each location weaves a story for my camera to capture.

California is home to many captivating and varied landscapes and I take every opportunity to explore my native state, but nothing excites me more than the call of an exotic land. My latest sojourn to Iceland, the land of ice and fire, did not disappoint. There are waterfalls everywhere you look, erupting volcanos, glacier bays and epic canyons that transport you to a time before humans roamed the earth. In this collection I’ve gathered moments from Iceland, California and afar to bring viewers along with me on my adventures.

So, come sojourn with me through these epic landscapes and maybe, if you’re feeling up to it, you can hum along to the Lord Of The Rings soundtrack like I always find myself doing when I’m out there.

Environments-BlueSkies-SecretSpaces

October 3, 2021October 4, 2021 photoinfo

“Environments, Under Blue Skies, Secret Spaces”
An Exhibit Featuring the Photography of
Larry Cusick, Sally Stallings and Kathy Wosika

October 7 – October 31, 2021

ArtHop Reception: Thursday, October 7, from 4PM to 8PM

ENVIRONMENTS
by
Larry Cusick

My journey into the world of photography began in college when I took a photojournalism class. I was hooked by the idea that you could tell a story with pictures. Each assignment challenged me to find an image that spoke words. And the opportunities seemed limitless. Everywhere you look there is a story playing out. Even now, I find the work of photojournalists to be most compelling.

Since then, I have been a shutterbug, taking pictures of family and vacations. I became more seriously involved in photography after retirement when I discovered birding and bird photography. The challenge of capturing wild birds in the field rekindled something in me that I found mysterious and rewarding. I thought of this quest as environmental photojournalism. I see stories everywhere–in wildlife and in human interaction. My goal is always to capture a story.

I entitled my small part of the show Environments. This awkward title is a perhaps best ignored, and to just let my photographs say it all. You’ll see some birds and some nature, as well as people, in their own environments. I hope that each picture says something to you. It might not be exactly what I intended, but that is okay.

Under Blue Skies
by
Sally Stallings

Starved for color, beauty, and a piece of blue from above. I craved splendor of the California I have always loved. This was my focus.

Recently we lost our California. Acres of fiery infernos have incinerated homes and forests once teaming with wildlife and cherished irreplaceable memories. Homes that hosted family dinners, wedding celebrations, children off to school, graduation parties all gone… charred beyond recognition into smoldering black crusts, stumps, slabs of blackened concrete, and grey powdery earth. Grey ash, like fish scales, wandering from putrid skies poisoning every breath you take.

We lost security and safety from a horrifying pandemic that smacked everyone in the face with fear of sickness, death, and necessary isolation from family and friends. This unrelenting oppression from Covid and smoke saturated skies has been suffocating. I have felt psychologically imprisoned in a smothering nightmare…

There were times, however, on 8:00 o’clock morning walks I found relief in my 1920 neighborhoods. Stretches of sidewalks threaded together cared for homes, neighbors, and grassy colorful front yards. There were “good mornings” and “hellos, and “how are you”? from residents watering flower beds, pruning bushes, and mowing lawns while pajamaed kids roller skated in driveways…all home because of the shutdown.

Wearing my N95 I heeded friendly neighbors conversing from one side of the street to the other. Social distance maintained. I nodded to straw hatted mothers planting flowers with babies close by in netted play pens. All were friendly. All courageous. Everyone a warrior struggling to maintain some sort of normalcy exerting sheer will and smiles to keep going forward.

Some of these photos were taken on these morning walks.

I dedicate my portion of this show to all our 2020-2021 medical personnel who fought and are still fighting the spreading Covid and to our fire fighters who suffer beyond measure, but continue on, braving the all -consuming firewalls of hell.

I am so profoundly grateful.

Secret Spaces
by
Kathy Wosika
In February of 2020, right before the Covid virus sent us all running for cover, I had my first ever photo exhibit at Fig Tree Gallery here in Fresno. The photos in that exhibit were taken over a 20+ year period of time from airplanes, flying between the East and West Coasts of the U.S. at 30,000 feet! Originally, these photos were never taken as Art Photography per se – they were primarily collected as resource materials – ideas for use in teaching design, or to be incorporated into my creative work in ceramics or fibers. From such a distance, the earth below offers us a rich canvas filled with beautiful yet ephemeral compositions. This amazing “aerial art gallery” is created by rock, water, soil and plants, as well as man’s interactions with these elements. Change is ever the constant.
All of the images in this exhibit, Secret Spaces, were taken under the sequester imposed on all levels of our lives and society by the SARS-CoV-2 (COVID-19) virus. Just 2 weeks after my exhibit closed, life as we knew it also shut down as we faced, too often alone and apart from loved ones, a devastating world pandemic that has yet to release its’ grip on us.
The images that had previously captivated me from my airplane flights were vast and expansive, but I now found myself turning inward and looking deeply into the plants, and especially flowers growing in our garden. I found myself wanting to crawl around the interior of a flower – much like its’ pollinators do by nature – and experience its’ internal secret architecture. And so, I spent many hours a day working with flowers, tripod and an iPhone fitted with a macro lens, while the news of the year played out in the background. Here too, I found that Change is ever the constant. A flower’s passage from youth through old age exposed some amazing visual surprises. I very often found a suggestion of bird-like forms in these internal spaces. There were also figures which seemed to have large bulging “eyes”, but actually were the flower parts that contained the seeds of the next generation. I used to tell my Papermaking students that once you’ve made paper out of your own garden plants, you’ll never see the plant world the same again. I can now truly say the same about the experience of exploring the mysterious interiors of a flower! I hope you enjoy this journey.

Updated: October 4, 2021
Categories: Current Exhibit, Events, ExhibitionsTags: Color, Environments, Fine Art, Fine Art Photography, Kathy Wosika, larry cusick, Secret Spaces, Under Blue Skies

“Controlled Burn”

August 29, 2021August 30, 2021 photoinfo

“Controlled Burn: The Wonder and the Worry”
An Exhibit by Joan K. Sharma
September 2 – October 3, 2021
ArtHop Reception: Thursday, September 2, from 4PM to 8PM

Joan K. Sharma – Controlled Burn, Yosemite

Growing up in a suburb of Philadelphia, the maple tree in our front yard offered me an ideal perch from which to view the changing seasons. Passersby did not see me, and it was as though I became invisible and merged with the tree. The central limbs were offset in a perfect configuration to safely support me. The color and texture of the tree’s bark under shifting light of the changing seasons is etched in my memory. In early spring, the delicate, new leaves unfolded, spread, and deepened in color. During fall as temperatures dropped, the leaves transitioned from green with yellow tipped leaves to translucent yellow. Autumn wind rustled the tree, the leaves shivered, released, and fluttered to the grass below creating new patterns. I loved that tree.
Precious time outside exploring nature’s rhythms and patterns nourished me in ways that nothing else could. With my neighbor’s dog, I explored small pockets of undeveloped land that included streams, fields and bluffs that later became auto dealer parking lots. We walked among the trees that lined the perimeter of my elementary school property that shared a high, sturdy fence with the neighboring property, an eerily quiet complex. More recently, I learned that cyclotron research was located there.
While admiring qualities of light and wondering at the majesty of nature, I remember the rhythmic, swooping sound of a helicopter as its tandem rotors sliced through the calm, suburban air. For years, the hulking, green Chinook helicopters approached, circled, and returned to the nearby Boeing Vertol manufacturing facility for continued testing. Teflon and nonstick pans were enthusiastically marketed for food preparation in the modern, yet isolated lab-like kitchens. Children gleefully, raced their bikes into the billowing fog clouds behind the DDT trucks intended to control mosquitos.
Since that time, a steady evolving tension and tipping of a fragile balance of nature has occurred. Human amplified climate change is contributing to record temperatures, an accelerating pattern of extreme weather patterns and devastating floods and wildfires. We are learning how to cope and develop resilience in the face of challenges posed by climate change and the global pandemic. I hope that our perspective matures to a point where we fully recognize the fragility of this blue planet and work to develop clarity, connect and make wise choices as we care for our environment.
The Pandemic offered me the opportunity to explore trails in Woodward Park, Yosemite National Park, Asilomar State Park and Edison Lake a few weeks before the Creek Fire began. This exploration enabled me to see the effects our choices make on our environment. Photographs in the exhibit were made during 2020 and 2021.

Joan K. Sharma -- Edison Lake Water Levels #1

Joan K Sharma -- Tree & Graffiti, Woodward Park

Joan K. Sharma -- Sapling, Asilomar

Joan K. Sharma received an MFA from Indiana University, Bloomington and a BFA from Temple University’s, Tyler School of Art in Philadelphia. She studied for a year in Rome, Italy and a summer at Skowhegan School of Painting and Sculpture. She has lived in Switzerland and traveled extensively throughout the US, Europe, India, and Bhutan. These experiences increased her appreciation for the diversity and interconnectedness of our global community. Sharma joined the Department of Art and Design, California State University, Fresno in 2003. She co-directed two travel-study programs to India. Her photographs received awards from the International Photography Awards IPA, juried exhibitions in 2016, 2018 and 2019. Sharma’s work has been exhibited internationally in numerous solo, juried and group exhibitions and at the Fresno Art Museum, Spectrum Gallery, Gallery 25, Gallery 1825, Arte Americas and is in private and public collections.

Updated: August 30, 2021
Categories: Events, ExhibitionsTags: Color, Controlled Burn, Fine Art, Fine Art Photography, Fresno State, Joan K Sharma, Joan Sharma, Pandemic, Professor

“Ease”

July 31, 2021August 1, 2021 photoinfo

August 5 to 29, 2021
ArtHop Reception: Thursday, August 5 from 4PM to 8PM

In my dual role as President of the Board of Directors and currently exhibiting artist, I would like to bring attention first to the effort of the base team that is responsible for helping to make the recent fund-raising auction a success. Despite the setback of the Covid-related pandemic, we have also secured several grants to help fund our operation, and have re-opened our doors to the public. My message is one of hope that as citizens of Earth, we recognize our part in the overcoming of contagious diseases and unjust treatment of our planet and our fellow human beings. A new word has come to mind; something everyone should consider – ‘pandempathy’.
During the winter of 2020, more than 40% of Americans reported symptoms of anxiety or depression, double the rate of the previous year. That number dropped to 30% in June 2021 as vaccinations rose and Covid-19 cases fell, but that still leaves nearly one in three Americans struggling with their mental health. In addition to diagnosable symptoms, plenty of people reported experiencing pandemic brain fog, including forgetfulness, difficulty concentrating, and general fuzziness. Americans are slowly coming out of the pandemic, but as they reemerge, there’s still much trauma to process. Continued caution must be exercised as the Delta and other variants continue to spread. It’s not just our families, communities, and jobs that have changed; our brains have changed too. We are not the same people we were 18 months ago.
“EASE ~ finding one’s place” is the title of a solo exhibition of my art to be held during the month of August 2021 at the SPECTRUM Art Gallery in Fresno, CA.
The overall political tension of the populace during the last four to five years, and most especially during the last year, in which just about everything changed due to the COVID 19 corona virus, has given us a great need/cause for EASE. With new patterns of behavior having been mandated to ensure our safety, we started wearing masks to protect ourselves and others, we employed social distancing and seclusion. As an artist, I have always valued my undisturbed time alone in the studio. As a social human being, I crave interaction with others. In my time spent alone, I found myself inspired to affirm my personal space and place based on location, to create a significance of place interspersed with these current conditions and various aspects of personal causality and identity.
For this upcoming exhibition opportunity, I chose a self- imposed system and direction that would involve working with the fifth letter of our alphabet. My first inclination to do so was because it is the initial of my given name, secondly, the lower-case version of the letter ‘e’ has become ubiquitous as the prefix for anything and everything electronic, such as e-mail, e-trade, e-commerce, and Audi’s new electric car, the e-tron, etc. The letter E is also the most utilized of all the letters of the alphabet, which has proven to be quite valuable to code breakers. Then there is the plethora of wonderful words that start with E: Earth, ecstasy, elephant, elated, exuberant, elemental, exceptional, energetic, elusive, eucalyptus, excruciating and EASE.
By super-imposing a sans serif form of the letter E on a map of Fresno, CA, specific locations at the twelve corners or nodes of the letter were identified. The next step in the process involved exploring these twelve appointed locations, seeking the most interesting and inspiring visuals that would become photographs for the exhibit.

The chosen images from the exploration of the specified sites resulted in numerous images or “snapshots” that have been printed and will be presented as part of the installation. A large version of the letter E has been cut from a sheet of plywood, (approximately four feet by eight feet), upon which there is an enlarged map of Fresno. This table like structure will be situated in the gallery horizontally at approximately mid-thigh height. Each of the twelve locations are identified by street signs from the intersection they represent, and their GPS co-ordinates.

Friends and students of mine have been offered the opportunity to have their work in the gallery as an exercise in inclusivity and ‘relational aesthetics’. I invited them to create their piece of art based on their own personal expressions of and about the letter ‘E’.

I thoroughly enjoy utilizing the technical skills I have acquired over the years to communicate my observations and feelings about the world we share with all living things. The second and perhaps most important aspect of this endeavor is that by creating this installation, I am able to provide the viewers, in this time of great chaos, a sense of comforting EASE.

Updated: August 1, 2021
Categories: Current Exhibit, Events, ExhibitionsTags: Color, Ease, Ed Gillum, Edward Gillum, Fine Art, Fine Art Photography, Fresno State, Pandemic, Professor

40th Anniversary Art Auction — Spectrum Art Gallery’s Online Silent Auction June 3 through July 15, 2021!

April 28, 2021August 1, 2021 photoinfo

Please visit our online auction website to view the auction items and bid!
https://www.accelevents.com/e/SpectrumArtGallery40thAnniversaryArtAuction

In honor of its 40th Anniversary and ongoing mission to support photographic art and education in the greater central valley, Spectrum Art Gallery has been the grateful recipient of magnificent contributions by world renown and regional photographic artists. In addition, philanthropic donors have contributed works by prominent artists who are no longer with us. Their legacy will continue to reach all of us through your generous donations, which are featured in this online catalog including the Edward Weston 50th Anniversary Portfolio offered in our upcoming Auction 2020.

Edward Weston “Fiftieth Anniversary Portfolio: 1902-1952

Edward Weston (American, 1886-1958), “Fiftieth Anniversary Portfolio: 1902-1952,” circa 1952, Carmel, California, 1951, a complete portfolio of all 12 gelatin silver prints, from an edition of 100, printed by Brett Weston under Edward Weston’s supervision, each mounted and dated with the photographer’s initials in pencil on the mount, each stamped in ink with the print number on the reverse of the mount; with colophon, introduction by Edward Weston, a plate list, contained in folio, white cloth with flaps and black letterpress title, bound by Perry G. Davis, San Francisco, typography by the Grabhorn Press, The portfolio consists of these plates: Cabbage Leaf, 1931, Eel River, 1937, David H. McAlpin, New York, 1941, Eroded Rock, Point Lobos, 1930, Nude, 1936, Wall Scrawls, Hornitos, 1940, Guadalupe, Mexico, 1925, Church Door, Hornitos, 1940, North Dome, Point Lobos, 1946, William Edmondson, sculptor, Nashville, 1941, “Willie,” New Orleans, 1941, and Dunes, Oceano, 1936, photos each on artist mounted 16″ x 13.75″. All prints are in excellent condition overall. Two have been framed to museum standard for viewing in this exhibition. The included original portfolio case 16.5″ x 14″ x .75″ has warpage; so, all prints not on display have been stored in a separate, 100% archival portfolio box. This entire portfolio has been authenticated and appraised by Christian/Reilly registered by The Appraisers Association of America, Inc.

Spectrum Art Gallery considers the safety of the community and members our top priority. For that reason, we have decided to offer an online silent art auction instead of our usual live event.

More about the Edward Weston Prints we are auctioning:

In honor of its 40th Anniversary and its ongoing mission to support photographic art and education in the greater central valley, Spectrum Art Gallery has been the grateful recipient of magnificent contributions by world renown and regional photographic artists. In addition, philanthropic donors have contributed works by prominent artists who are no longer with us. Their legacy will continue to reach all of us through these generous donations, which are featured in this catalog and the following pages displaying the Edward Weston 50th Anniversary Portfolio offered in our Auction.

Edward Weston “Fiftieth Anniversary Portfolio: 1902-1952”

Edward Weston (American, 1886-1958), “Fiftieth Anniversary Portfolio: 1902-1952,” Carmel, California, a complete portfolio of all 12 gelatin silver prints, from an edition of 100, printed by Brett Weston under Edward Weston’s supervision, each mounted and dated with the photographer’s initials in pencil on the mount, each stamped in ink with the print number on the reverse of the mount; with colophon, introduction by Edward Weston, a plate list, contained in folio, white cloth with flaps and black letterpress title, bound by Perry G. Davis, San Francisco, typography by the Grabhorn Press.

The portfolio consists of these plates:

● Cabbage Leaf, 1931

● Eel River, 1937

● David H. McAlpin, New York, 1941

● Eroded Rock, Point Lobos, 1930

● Nude, 1936

● Wall Scrawls, Hornitos, 1940

● Guadalupe, Mexico, 1925

● Church Door, Hornitos, 1940

● North Dome, Point Lobos, 1946

● William Edmondson, sculptor, Nashville, 1941

● “Willie,” New Orleans, 1941

● Dunes, Oceano, 1936

Each photo is on 16″ x 13.75” mount board by the artist. All prints are in excellent condition overall. Two have been framed to museum standards for viewing in this exhibition. The included original portfolio case 16.5″ x 14″ x .75″ has warpage; so, all prints not on display have been stored in a separate, 100% archival portfolio box. This entire portfolio has been authenticated and appraised by Christian|Reilly, registered by The Appraisers Association of America, Inc.

Updated: August 1, 2021
Categories: ExhibitionsTags: 40th Anniversary, Auction, Edward Weston, exhibition, Spectrum Art Gallery, Weston

“Hope” Online Exhibition

March 6, 2021August 1, 2021 photoinfo

Second in a series of strictly online exhibitions, this virtual exhibition features member artworks exposed, edited, or symbolic of Hope.

Even in the face of danger, disease, and unrest, we have seen some of the most beautiful (and some of the ugliest) of humanity in the last year. And art certainly comments on the state of affairs in our everyday life. It is amazing how our art imitates life and what we are going through. And sometimes, it seems to not even be impacted, although I think many therapists may disagree!

In any case, it is no disagreement that this last year has not been the most delightful time for anyone. However, there is light at the end of the tunnel! So whether you are impacted directly by this pandemic, or if you are experiencing your own personal isolation beyond sheltering in place, we are all excited (and a bit impatient) about restrictions easing and normalcy soon returning. And this again brings to light, as it has throughout history;

When the darkness comes, there still remains hope.

For more information on any of these presented artworks or to purchase, please email Jesse Merrell at curator@spectrumphotogallery.org

Hope Online Exhibition

Image 1 of 20

Hope Online Exhibition

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Updated: August 1, 2021
Categories: ExhibitionsTags: 2021, exhibition, Fresno, Gallery, Hope, online, Photography, quarantine, Spectrum, Spectrum Art Gallery

“Stay @ Home” Online Exhibition

June 29, 2020March 6, 2021 photoinfo

First in a series of strictly online exhibitions, this virtual exhibition features member artworks exposed, edited, or symbolic of sheltering in place. These images were made close to home, catching up with image editing, or interacting with recent social and physical environments.

For more information on any of these presented artworks or to purchase, please email Jesse Merrell at curator@spectrumphotogallery.org

"Stay @ Home" Online Exhibition

Image 1 of 36

"Stay @ Home" Online Exhibition

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Updated: March 6, 2021
Categories: ExhibitionsTags: 2020, exhibition, Fresno, Gallery, online, Photography, quarantine, Spectrum, Spectrum Art Gallery, Stay @ Home, Stay at Home

“Small Works Photography”

February 6, 2020March 3, 2020 photoinfo

February 6 – March 1, 2020
ArtHop Reception: February 6, 2020, 5PM to 8PM
Friday Photography Live: Friday, February 28th, at 7 PM
PINHOLE PHOTOGRAPHY — PRESENTED BY JESSE MERRELL

Spectrum Art Gallery is excited to announce a “Pop-up” exhibition of Small Works, a show that features artworks from members that measure no longer than 12 inches in any dimension. This is a popular exhibition format that our members will enjoy, and will bring options to the public of smaller, more affordable artworks. The other benefit of this exhibition is that due to the smaller submissions, it provides a venue for members to showcase a greater variety of work. Participants are encouraged to submit up to four works to the show.

This format was bolstered by the recent Friday Photography Live discussion in December regarding collecting photographs in which several participants commented on the desire to collect works, but were challenged with limited wall space, affordability, and variety of work. Although this was not originally considered when planning the Small Works show, it now seems to serendipitously dovetail right in the plan.

Soul Consoling Tower, Manzanar, CA by Travis Rockett-

Spirit Bear, Great Bear Rainforest, Canada by Helen Gigliotti

Pigeon Point Lighthouse - Bonnie Polson

Updated: March 3, 2020
Categories: ExhibitionsTags: bonnie polson, Color, Fine Art, Fine Art Photography, Helen Gigliotti, Jesse Merrell, Travis Rockett

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