40th Anniversary Art Auction — Spectrum Art Gallery’s Online Silent Auction June 3 through July 15, 2021!

Please visit our online auction website to view the auction items and bid!
https://www.accelevents.com/e/SpectrumArtGallery40thAnniversaryArtAuction

In honor of its 40th Anniversary and ongoing mission to support photographic art and education in the greater central valley, Spectrum Art Gallery has been the grateful recipient of magnificent contributions by world renown and regional photographic artists. In addition, philanthropic donors have contributed works by prominent artists who are no longer with us. Their legacy will continue to reach all of us through your generous donations, which are featured in this online catalog including the Edward Weston 50th Anniversary Portfolio offered in our upcoming Auction 2020.

Edward Weston “Fiftieth Anniversary Portfolio: 1902-1952

Edward Weston (American, 1886-1958), “Fiftieth Anniversary Portfolio: 1902-1952,” circa 1952, Carmel, California, 1951, a complete portfolio of all 12 gelatin silver prints, from an edition of 100, printed by Brett Weston under Edward Weston’s supervision, each mounted and dated with the photographer’s initials in pencil on the mount, each stamped in ink with the print number on the reverse of the mount; with colophon, introduction by Edward Weston, a plate list, contained in folio, white cloth with flaps and black letterpress title, bound by Perry G. Davis, San Francisco, typography by the Grabhorn Press, The portfolio consists of these plates: Cabbage Leaf, 1931, Eel River, 1937, David H. McAlpin, New York, 1941, Eroded Rock, Point Lobos, 1930, Nude, 1936, Wall Scrawls, Hornitos, 1940, Guadalupe, Mexico, 1925, Church Door, Hornitos, 1940, North Dome, Point Lobos, 1946, William Edmondson, sculptor, Nashville, 1941, “Willie,” New Orleans, 1941, and Dunes, Oceano, 1936, photos each on artist mounted 16″ x 13.75″. All prints are in excellent condition overall. Two have been framed to museum standard for viewing in this exhibition. The included original portfolio case 16.5″ x 14″ x .75″ has warpage; so, all prints not on display have been stored in a separate, 100% archival portfolio box. This entire portfolio has been authenticated and appraised by Christian/Reilly registered by The Appraisers Association of America, Inc.

Spectrum Art Gallery considers the safety of the community and members our top priority.  For that reason, we have decided to offer an online silent art auction instead of our usual live event.

 

More about the Edward Weston Prints we are auctioning:

In honor of its 40th Anniversary and its ongoing mission to support photographic art and education in the greater central valley, Spectrum Art Gallery has been the grateful recipient of magnificent contributions by world renown and regional photographic artists. In addition, philanthropic donors have contributed works by prominent artists who are no longer with us. Their legacy will continue to reach all of us through these generous donations, which are featured in this catalog and the following pages displaying the Edward Weston 50th Anniversary Portfolio offered in our Auction.

Edward Weston “Fiftieth Anniversary Portfolio: 1902-1952”

Edward Weston (American, 1886-1958), “Fiftieth Anniversary Portfolio: 1902-1952,” Carmel, California, a complete portfolio of all 12 gelatin silver prints, from an edition of 100, printed by Brett Weston under Edward Weston’s supervision, each mounted and dated with the photographer’s initials in pencil on the mount, each stamped in ink with the print number on the reverse of the mount; with colophon, introduction by Edward Weston, a plate list, contained in folio, white cloth with flaps and black letterpress title, bound by Perry G. Davis, San Francisco, typography by the Grabhorn Press.

The portfolio consists of these plates:

● Cabbage Leaf, 1931

● Eel River, 1937

● David H. McAlpin, New York, 1941

● Eroded Rock, Point Lobos, 1930

● Nude, 1936

● Wall Scrawls, Hornitos, 1940

● Guadalupe, Mexico, 1925

● Church Door, Hornitos, 1940

● North Dome, Point Lobos, 1946

● William Edmondson, sculptor, Nashville, 1941

● “Willie,” New Orleans, 1941

● Dunes, Oceano, 1936

Each photo is on 16″ x 13.75” mount board by the artist. All prints are in excellent condition overall. Two have been framed to museum standards for viewing in this exhibition. The included original portfolio case 16.5″ x 14″ x .75″ has warpage; so, all prints not on display have been stored in a separate, 100% archival portfolio box. This entire portfolio has been authenticated and appraised by Christian|Reilly, registered by The Appraisers Association of America, Inc.

 

 

“Hope” Online Exhibition

Second in a series of strictly online exhibitions, this virtual exhibition features member artworks exposed, edited, or symbolic of Hope.

Even in the face of danger, disease, and unrest, we have seen some of the most beautiful (and some of the ugliest) of humanity in the last year. And art certainly comments on the state of affairs in our everyday life.  It is amazing how our art imitates life and what we are going through.  And sometimes, it seems to not even be impacted, although I think many therapists may disagree! 

In any case, it is no disagreement that this last year has not been the most delightful time for anyone.  However, there is light at the end of the tunnel!  So whether you are impacted directly by this pandemic, or if you are experiencing your own personal isolation beyond sheltering in place, we are all excited (and a bit impatient) about restrictions easing and normalcy soon returning.  And this again brings to light, as it has throughout history;

When the darkness comes, there still remains hope.

For more information on any of these presented artworks or to purchase, please email Jesse Merrell at curator@spectrumphotogallery.org

Hope Online Exhibition

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Hope Online Exhibition

“Stay @ Home” Online Exhibition

First in a series of strictly online exhibitions, this virtual exhibition features member artworks exposed, edited, or symbolic of sheltering in place. These images were made close to home, catching up with image editing, or interacting with recent social and physical environments.

For more information on any of these presented artworks or to purchase, please email Jesse Merrell at curator@spectrumphotogallery.org

"Stay @ Home" Online Exhibition

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"Stay @ Home" Online Exhibition

Franka M. Gabler’s “Meditations”

July 2019

July will feature a one-person exhibit by Franka M. Gabler.

ArtHop reception: Thursday, July 11, 2019, 5:00-8:00pm

Franka M. Gabler – Fishing…Eastern Sierra
Franka M. Gabler – Redwood Forest in Fog #1, North Coast, CA

For several years now, Franka Gabler has been drawing her inspiration from subtle, moody, often intimate landscapes – compositions somewhere between detail/abstract – and the wider view, beyond a mere record of a particular location.  Such compositions allow for extracting unique scenes from otherwise well-known places. They often stimulate a viewer to think further, or engage in a more personal way. The light and atmosphere Franka captures in her photographs often result in sentimental impact and ethereal feeling.  Mist and fog often allow for interesting compositions and interpretations, concealing distracting elements and leaving only the essence, isolated from larger surroundings, allowing her to feel, focus, and connect with a subject.

“Meditations” is the third exhibit in a series about Franka’s intimate connection and interpretation of natural surroundings.  The previous exhibits include “Ethereal” (2015) and “In Sync” (2017).

Her compositions and choice of subjects are intuitive.  She doesn’t plan what to photograph on a particular day—instead she gets out there with open senses, waiting to see what draws her attention, hoping to recognize a simple story in a chaotic surrounding:  a beam of light, an object that breaks a pattern – or a group of objects that form an interesting pattern, exciting light and atmospheric conditions, balance of stillness and movement… Gentle morning light, tranquility, and peace of untouched nature – where only disturbance is the sound of her own footsteps and breathing, make her appreciate the gift of life, a reminder that we are all part of a larger universe, and letting everyday worries fade away.

Artist Biography:

Being a scientist and a landscape photographer, Franka M. Gabler developed a fascination, admiration, and respect for nature. Soon after moving to California in 1997, she experienced her first wilderness backpacking trip in the Sierra Nevada Mountains. Ever since that time, Franka has been photographing the magnificence of the high country mountains and the California landscape.

She lives in the Sierra foothills, in the small mountain town of Coarsegold, not far from Yosemite National Park.

Franka’s photographs are published in several books and publications.  Her work has been featured in numerous exhibits and is represented in private collections throughout the United States and abroad.  

She is affiliated with Stellar Gallery in Oakhurst, Spectrum Fine Art Gallery in Fresno, Ridgeline Gallery in Mariposa, and Circle Gallery in Madera, CA.

You can learn more about her work at: www.frankagabler.com

Franka M. Gabler – Winterscape #6, Yosemite