Mac Mechem – A Catastrophic Cornucopia of American Mayhem

Mac Mechem | A Catastrophic Cornucopia of American Mayhem

June 4 – 28, 2026

ArtHop Reception: June 4th, 5-8PM

Friday Photography Live: Artist Comments

June 26th, 7PM

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MAC MECHEM | ARTIST STATEMENT

A brief personal history as it relates to my artistic expression.
I went to Fresno State College to play football and when my eligibility ended I found myself dazed and confused about the future. Instead of facing the problem I chose to do the irresponsible thing and, like the nit wits in the movie “Animal House”, take a road trip. I sold my 57 Chevy, took a few dollars I had saved working at Pepsi Cola, and bought a round trip ticket to Europe. I spent a year hitchhiking throughout the continent, receiving a won-derful education visiting all the major museums in Europe and came home determined to be the best artist/teacher I could be.


Teaching as it relates to my artistic expression
To me, teaching has always been a critical component in my artistic life. Observing my students absorb technical and creative instruction then produce amazing works of original art has inspired me to push harder in my own artistic journey. In turn, I complete the crea-tive circle by sharing the new concepts I have learned with my students.


My artistic expression
I am a figurative painter who comments on the social, political, cultural, and religious aspects of human nature. Satire and humor are critical components of my expression as I attempt to lampoon and ridicule the vices, shortcomings, and follies of contemporary society. For me, the idea or content of the work is key and determines the symbols and forms visualized in my paintings. The classical techniques of composition, modeling of dark and light, perspective and light source are critical elements in creating a powerful visual impact in my work. I believe that art can be a tool for promoting cultural awareness and expediting social change.


A few months ago I began, along with my oil painting, creating cut paper collages. I am digitally illiterate and decided to try a technique I learned in the third grade. I use googled computer photos which I cut out with an exacto knife and glue down on paper. Then I have them enlarged on foamcore board. Finally, I use prisma color pencils to increase dark and light before enhancing color intensity. It usually takes me from two to six months to finish an oil painting and one to three days to complete a collage. Instant gratification, for sure, and a Godsend to an 87 year old artist who might, very well, be near the end of his creative career. The works in this exhibition are all collages.

Franka Gabler Echoes of Nature

Franka Gabler | Echoes of Nature

May 7 – 31, 2026

ArtHop Reception: May 7th, 5-8PM

Friday Photography Live: The Art of Seeing

May 29th, 7PM

Franka Gabler - Life in the Desert #16, Death Valley

“In every walk with nature one receives far more than he seeks” – John Muir.

We may step outside seeking fresh air or a moment of peace, but often come away with something deeper, both calming and invigorating. Time in nature softens the sharp edges of daily life, quiets the noise, and gives us space to breathe, reflect, and reconnect.

Echoes of Nature” reflects the lingering harmony I carry in me after time spent in nature. Long after I leave the forest, the mountains, the seaside, or the quiet lakeshore, the echoes remain – the echoes that quiet my thoughts, steady my breath, and renew my sense of connection. 

When I’m out in nature, looking for something to inspire me to photograph, I use my intuition, letting my eyes and senses guide me. I search for something that calls me, stirring deeper feelings within me. I’m drawn to intimate scenes, the quiet corners that express the essence of a place. It’s in the subtle, often overlooked scenes and moments that I find the most meaning. 

The exhibit includes photographs of evocative, often smaller scenes from nature. Sometimes it’s about capturing subtle light, colors, and contrast. Other times it’s about capturing my experience in nature when making the images: the softness and silence of falling snow, or a quiet time in a forest, observing nature preparing for rest. I’m drawn to mist, fog, snow, and even haze – elements that soften the landscape and shroud it in mystery. They bring atmosphere and mood to the scenes I photograph, revealing the emotional story I seek to tell.

Nature imprints its rhythm on us. Its colors, sounds, and silence continue to shape how we see and feel long after we return home. These moments spent outdoors become inner landscapes – sources of calm, inspiration, and balance that remind us of our place within the larger living world.

 

Bio:

Franka Gabler, a native of Croatia, moved to California in the late 1990s and fell in love with the Sierra Nevada and California landscapes. For many years, she has been drawing her inspiration from subtle, moody, often intimate landscapes – compositions somewhere between abstract and the wider view, beyond mere documentation of a particular location. Expressing mood and capturing the essence is what she strives for in her photography. The light and atmosphere portrayed in her photographs often result in a sentimental impact and ethereal feeling. 

Franka’s photographs have been recognized internationally. In 2022, she was the overall winner of the Landscape Photography World Awards. In 2021, she received the First Place award for the Intimate and Abstract category of the Natural Landscape Photography Awards, and in 2023, she was recognized as a Highly Commended Photographer of the Year. Her black & white portfolio “Expressive Yosemite” is published in Issue No. 159 of the Lens Work Photography Magazine. She’s often invited to speak and teach at photography conferences and submit articles to landscape photography magazines. 

Franka lives in the Sierra foothills, in the small mountain town of Coarsegold, not far from Yosemite National Park.

You can learn more at www.frankagabler.com.